Film, Media and Creative Industries
in Hong Kong
Hong Kong Cinema History, Screen Production and Urban Heritage Across Central, Kowloon and Lantau Island
Sustainable Development Goals in Action
The Destination
Program Overview
A film study abroad program in Hong Kong with Authentica is a ten-day, faculty-led immersion inside the territory’s screen industry — film production houses and studios, the city’s public film archive, screen-industry associations and festival organizers, and government creative-industry agencies — paired with the neighbourhoods, heritage sites and live Cantonese opera that put Hong Kong cinema in context.
Hong Kong holds an outsized place in world cinema. Through the 1980s and 1990s it was the third-largest film industry on earth and the second-largest exporter of films, sending martial arts, crime and melodrama traditions from a territory of seven million people into theatres from Lagos to Los Angeles. That industry has since been reshaped by political transition, by the pull of the mainland market and by the economics of streaming, yet it continues to produce distinctive, critically acclaimed work. For students of film, media and communication, few cities compress so much industrial history, visual iconography and live cultural debate into so small a footprint.
This program takes students inside that industry. They visit film production houses and studios, sit with independent filmmakers, meet screen-industry associations and festival organizers, learn how public creative-industry agencies fund and incubate new work, and spend time in the city’s public film archive. Sessions with academic specialists trace the arc from the studio era through the New Wave to the present. Screenings at an independent cinematheque, in the archive and at a live Cantonese opera performance put the material on screen and on stage rather than only on the page. Between engagements students work in small teams on research topics and on challenge questions set by faculty or by the organizations hosting them.
The city itself is the third text. Walking tours of Central, Soho and the Mid-Levels, of the tenement streets of Sham Shui Po, and of the Kowloon night markets take students to locations they will recognise from the films they are studying, while the Mei Ho House Life Museum, Tai Kwun Heritage Centre and the Hong Kong Heritage Museum lay out the colonial, migratory and public housing histories those films are arguing about. A day on Lantau Island, at the Tian Tan Buddha and the stilt-house fishing village of Tai O, sets the density of the city against the landscape that surrounds it. Students leave with sharper film analysis, a working map of how a screen industry is financed, made and regulated, and the intercultural fluency that comes from ten days of navigating a bilingual city on its own terms.
Ideal for students in film and media studies, communication, history and East Asian studies — open to undergraduate and graduate students across disciplines.
What You'll Do
Key Program Elements
The Golden Age and Legacy of Hong Kong Cinema
- Trace the studio era, the kung fu and wuxia traditions and the New Wave through archive prints and repertory screenings
- Walk the Avenue of Stars and the on-location streets of Central, Sham Shui Po and Kowloon that recur across decades of film
- Meet academic specialists and curators who work on the history of Hong Kong cinema
- Examine how the city’s stars and auteurs built a global export identity for a territory of seven million people
Hong Kong as a Regional and Global Screen Powerhouse
- Visit film production houses, studios and a boutique video production company to see how projects are financed, shot and finished
- Meet screen-industry associations and festival organizers on co-production, distribution and festival strategy
- Compare the pull of the mainland market against the streaming economy and international co-production
- Work on a challenge question set by a host organization: what forces decide whether Hong Kong film re-emerges as a global powerhouse?
Culture, Policy and the City on Screen
- Learn from government creative-industry agencies how public funding, incubation and development programs shape what gets made
- Study the social and political context the films respond to, from migration and housing to identity and generational change
- Connect Cantonese opera, Chinese philosophy and popular storytelling traditions to screen narrative
- Read the city’s own heritage record at Mei Ho House, Tai Kwun and the Hong Kong Heritage Museum
Impact
UN Sustainable Development Goals in Action for this Program
SDG 4: Quality Education
- Delivers an immersive field course that pairs classroom film theory with archive, studio and heritage-site engagement in the city being studied.
- Includes Authentica’s Sustainable Development in Context course, so students read the destination through a sustainability lens alongside the academic theme.
SDG 8: Decent Work and Economic Growth
- Examines the creative economy as a driver of skilled employment, from production crews and post-production houses to festivals and distribution.
- Directs group spending toward small family-run eateries, market traders, independent cinemas and local guides rather than international chains.
SDG 9: Industry, Innovation and Infrastructure
- Studies production infrastructure, post-production technology and the shift to digital distribution and streaming inside working studios and production houses.
- Explores how public creative-industry agencies fund, incubate and sustain small screen enterprises through grants and development programs.
SDG 11: Sustainable Cities and Communities
- Uses the Mei Ho House Life Museum and the city’s public housing history to study affordable housing, density and community resilience.
- Examines adaptive reuse of heritage buildings at Tai Kwun and the low-car, transit-led urban form the group travels on throughout the program.
Beyond the Classroom
Program Highlights
What You'll Take Home
Learning Outcomes
Screen Industry Literacy
Students map how a film industry actually works, from financing and production through post-production, distribution, festivals and public funding, and can explain the commercial and policy forces shaping its output.
Film History and Visual Analysis
Students situate Hong Kong cinema within global film history and analyse how genre, star persona, location and visual style carry meaning across the studio era, the New Wave and the present.
Cultural and Contextual Reading
Students connect what appears on screen to the colonial history, migration patterns, housing pressures and cultural traditions of the city, using museums, heritage sites and neighbourhoods as primary evidence.
Research, Collaboration and Presentation
Working in small teams, students research assigned topics and respond to live challenge questions from host organizations, then present their findings clearly to academic and professional audiences.
Day by Day
Sample Itinerary
Specific organizations visited are curated around the faculty’s learning objectives and may vary by cohort. The categories below reflect the types of engagements included in this program.
Arrival and Orientation
Participants arrive in Hong Kong and check in to a centrally located hotel in the Sheung Wan district, a few steps from a historic tram stop and within walking distance of Victoria Harbour. The evening brings the Authentica orientation and safety briefing, followed by a welcome dinner.
Meals: DReading the City: Central, Soho and Sham Shui Po
A morning walking tour climbs from the colonial-era streets of Central through Soho and the Mid-Levels, paired with a guest lecture setting out Hong Kong’s history and its political and economic backdrop. The afternoon moves to Sham Shui Po for a food and film walking tour of one of the city’s most filmed working-class districts, ending with a guided visit to the Mei Ho House Life Museum, built after the Shek Kip Mei fire as the first of Hong Kong’s public housing estates.
Meals: B, LKowloon Streets and the Screen
The morning is given to the first organization visit of the program. In the afternoon a guided walking tour crosses Kowloon’s food streets and markets, taking in Mong Kok, Tsim Sha Tsui, the Temple Street Night Market and the Fa Yuen Street Market, before the group attends a screening at an independent cinematheque. Evening free.
Meals: B, LProduction, Philosophy and Industry Networks
A morning visit to a film production house shows how projects move from development to finished cut. The afternoon guest lecture examines how Chinese philosophy shapes narrative and character on screen, and the day closes with an evening networking reception and dinner alongside Hong Kong-based professionals working in the creative and screen industries.
Meals: B, DHeritage, Opera and Screen Memory
A free morning for independent study or exploring the neighbourhood. The afternoon takes the group to Chi Lin Nunnery in Diamond Hill, built in Tang dynasty timber style around lotus ponds and gardens, and then to the Hong Kong Heritage Museum, whose Cantonese Opera Heritage Hall and martial arts galleries connect stage tradition directly to the city’s screen output. Evening: a curated repertory film screening.
Meals: BLantau Island
A free morning, followed by an afternoon on Lantau Island with lunch included. The group takes in the Tian Tan Buddha above Ngong Ping, the mountain and coastal scenery that has doubled for so many locations on film, and the stilt-house fishing village of Tai O.
Meals: B, LInside the Archive
A free morning, then an afternoon organization visit with a screen-industry body. In the evening the group visits the city’s public film archive for a curated screening and a look at how prints, posters and production records are conserved and catalogued.
Meals: BDistribution, Festivals and Live Performance
A free morning, then an afternoon engagement with a festival organizer or screen-industry association on programming, distribution and audience development. The evening is given to a live Cantonese opera performance, the art form from which much of Hong Kong’s popular screen storytelling descends.
Meals: BIndependent Study and Farewell
A free day for independent research, team preparation or optional visits to the Hong Kong Museum of History and the Tai Kwun Heritage Centre, the former central police station and prison now reopened as an arts and heritage complex. The group reconvenes for a farewell dinner.
Meals: B, DScreenings and Synthesis
A final day of screenings using the film tickets included in the program, followed by team presentations and a reflective debrief drawing together the industry visits, the archive work and the city itself.
Meals: BDeparture
Check-out and transfer to the airport.
Meals: BAt a Glance
Program Snapshot
Meals Included
Sustainability
On-Ground Support
Insurance
Investment
Pricing & Inclusions
Program Cost
From USD $2,360*
≈ AUD $3,300 per participant (twin-share)
*Costs may vary depending on group size, program inclusions, number of program days, and other factors. Please contact us for a customized quote.
Request a customized quoteWhat's Included
- Accommodation for 10 nights in a centrally located hotel
- Daily breakfast
- Stored-value public transport card for the program
- Group meals as listed in the itinerary
- Guided cultural tours led by English-speaking local professionals
- Film screenings and tickets as listed
- Museum and heritage site entries as listed
- Coordination of organization visits
- Carbon offset for the full program
- 24x7 Authentica Program Manager
- Orientation and safety briefing
- All applicable taxes and tips
Good to Know
FAQs About the Program
1. When is the best time of year to run this program?
Two windows work well. Autumn, from late October to early December, gives the driest air, mildest temperatures and clearest harbour views of the year, which matters for a program built around walking tours, Lantau Island and outdoor locations. Spring, from March into April, is the other strong option because the city’s festival and film awards season falls then, which can open access to screenings, panels and visiting filmmakers. Late June to September is best avoided: it is hot, very humid, and falls within typhoon season.
2. What should students pack and wear?
Comfortable walking shoes are the single most important item, as the program covers a lot of ground on foot, including the steep staircases of the Mid-Levels and the climb to the Tian Tan Buddha. Pack light breathable layers plus one warm layer, because interiors, cinemas and the MTR are heavily air-conditioned year round, and carry a compact umbrella for sudden rain. Shoulders and knees should be covered for Chi Lin Nunnery and other religious sites. One smart-casual outfit is enough for production house visits and the networking reception. Hong Kong uses the UK-style three-pin plug, so a Type G adaptor is needed.
3. Do students need a visa for Hong Kong?
Hong Kong operates its own immigration system, separate from mainland China. Passport holders from the United States, Australia, Canada and most of Western Europe currently enter visa-free for short stays, but rules differ by nationality and change, so every participant should check their own passport requirements well in advance. Passports should be valid for at least six months beyond the travel dates. Any side trip into mainland China, for example to Shenzhen, requires a separate Chinese visa arranged before departure, and Macao has its own entry rules again. Authentica shares the current requirements with the group during planning.
4. How does the group travel around Hong Kong?
Almost entirely on public transport, which is part of the point. Each participant receives a stored-value transport card valid on the MTR, buses, the historic double-decker trams and the Star Ferry, and the card also works in convenience stores and many food outlets. Hong Kong’s density means most engagements are a short ride or a walk apart, and the Star Ferry crossing between Central and Tsim Sha Tsui is itself one of the most filmed views in the city. Lantau Island is reached by MTR and then the Ngong Ping cable car. A private coach can be added for organization visits if the faculty prefers.
5. What kinds of organizations and screenings does the program engage with?
Engagements are drawn from across the screen ecosystem: film production houses and studios, a small independent video production company, the city’s public film archive, screen-industry associations and festival organizers, independent filmmakers, government creative-industry agencies, and academic specialists in film history. Specific hosts are curated around the faculty’s learning objectives and may vary by cohort. Screenings include repertory and archive programming as well as a live Cantonese opera performance. Cantonese-language films are almost always screened with English subtitles.
6. What should students know about money, cards and tipping?
The Hong Kong dollar is pegged to the US dollar at roughly 7.8 to 1, which makes budgeting straightforward. Cards and mobile payment are accepted almost everywhere, but students should carry some cash for market stalls, the open-air dai pai dong food stalls and small family-run eateries, several of which the program visits. Tipping is light by North American standards: sit-down restaurants usually add a 10 percent service charge, and leaving the loose change is normal. Street stalls do not expect tips, and taxi fares are simply rounded up.
7. Is this program sustainable?
Yes. Authentica is a sustainable education provider and a signatory to the CANIE Accord, and sustainability is built into every program rather than sold as an add-on. Every program fee includes a carbon offset covering the full footprint, so this immersion is delivered carbon neutral. In Hong Kong the design does much of the work on its own: the group moves by MTR, tram, bus and ferry rather than private coach, walks between engagements in dense neighbourhoods, and eats at local family-run eateries and market stalls. No single-use plastic is issued on program, suppliers are selected against sustainability criteria, and all participants take Authentica’s Sustainable Development in Context course, which uses the city’s public housing history, heritage reuse and low-car urban form as live case material.
8. How does Authentica keep students safe and supported?
A dedicated Authentica Program Manager accompanies the group from arrival to departure and is available 24x7. The program opens with an orientation and safety briefing covering local emergency numbers, transport, neighbourhood guidance and check-in procedures, and it includes the city’s weather warning protocol: Hong Kong’s amber, red and black rainstorm signals and its numbered typhoon signals each trigger a defined response, and the group knows in advance what suspends an activity and where to shelter. A group messaging channel keeps everyone reachable throughout. Authentica carries USD 5M Commercial General Liability and USD 1M Errors and Omissions insurance, and institutions can be added as additional insured.
Interested in a Similar Program?
Contact us at info@authentica.com to design a faculty-led immersion around your objectives.